Katrina Kaif and Vijay Sethupathi’s Merry Christmas has been getting positive responses from fans. The mystery thriller has left everyone in awe of their on-screen chemistry. Well, today the actress held an AMA session in which she was seen replying to various questions asked by fans. Amid this, a fan asked her about learning Tamil for the film.
A fan asked ‘How much time did you take to recite and learn Tamil dialogue? Was it very hard? On this Katrina replied, “Very very hard…. But I had great support from @actorvijaysethupathi all throughout…” She also shared a video in which we can see Vijay speaking Tamil and Katrina listening. Earlier, a fans asked her ‘What u like about being Punjabi’s daughter-in-law?” On this, she replied, “Dher saara pyaar & ghar ka bana hua sarso da saag aur makki ki roti with white makhan.” During the session, she also replied to questions about her favourite food to cook. She said, ‘Khayali pulao’.
Take a look here:
Coming to Merry Christmas, according to Sacnilk.com, Merry Christmas earned Rs. 1.15 (early estimates) crores nett in India, across all languages, on the fourth day of its release. With this, the film’s total collection in India is now at Rs. 13.83 crores nett. The overall occupancy for the film was 9.30% for Hindi and 22.94% for Tamil. Theatres in Chennai and Hyderabad witnessed the highest footfall for Hindi while for Tamil, it was Pondicherry.
The film also stars Sanjay Kapoor, Vinay Pathak, Pratima Kannan, Tinnu Anand, Radhika Sarathkumar, Shanmugaraja, Kevin Jay Babu, Rajesh Williams, and Pari in key roles. Ashwini Kalsekar and Radhika Apte have also made cameos in the film. Merry Christmas is produced by Ramesh Taurani, Jaya Taurani, Sanjay Routray and Kewal Garg. The film is directed by Sriram Raghavan.
News18’s review of the film reads, “Based on Frédéric Dard’s Le Monte charge, there is nothing random in this slow-burn and structured crime drama that pans out against an intriguing interplay of sights and sounds. The film, an absolute treat for thriller aficionados who like the genre seasoned with wry wit, bears testimony to the director’s uncommon storytelling skills on the one hand and his abiding attachment to 1970s Hindi film music on the other. Just like his previous films, not only does BGM contribute significantly to the story’s impact, but it also actively advances it so full marks to Daniel B. George for a memorable background score.”
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